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The Burlesque Dancer Who Took Bourbon Street by Storm

Stacy “Stormy” Lawrence and her Casino Royale club were known for outlandish acts on Bourbon Street.

By Nina Bozak, library cataloger
June 5, 2020

Beginning in the 1930s, burlesque performances—vaudevillian variety shows featuring the striptease—swept the country. By 1950, there were tens of thousands of people involved in the burlesque industry, including dancers, musicians, actors, stage managers, and office personnel.

A vintage street scene with classic cars parked along the sidewalk. Buildings display signs for businesses, including a club and a pizza place. People walk under a shop awning, and a skyscraper is visible in the background under a cloudy sky.

This titillating form of entertainment found a home in New Orleans, with the majority of its more than 50 burlesque clubs residing on or near Bourbon Street. Signs for headliners such as Lilly Christine the Cat Girl, Kalantan the Heavenly Body, and Alouette LeBlanc the Tassel Twirler could be seen in front of venues such as Leon Prima’s 500 Club, the Sho-Bar, and Silver Frolics. In fact, burlesque was so profitable that some former music clubs changed their formats to include the striptease: the Mardi Gras Lounge, for example, installed a velvet swing used by dancers, and Casino Royale became Stormy’s Casino Royale in 1948, named for (but not owned by) its star act, Stacy “Stormy” Lawrence.

Vintage black-and-white promotional card featuring two images of a woman. The left shows a portrait labeled Stormy, and the right shows her in a feather outfit, posing with one leg on a stool. Text includes Evangeline and location details for a casino in New Orleans.

Stormy was born into a carnival family in Pennsylvania and studied voice at Temple University before launching into show business. She began her New Orleans career in 1945 as a singer and bandleader at the Casino Royale, but by 1947 realized she had a knack for the striptease. Toward the end of 1947, she was featured on the cover of Pell-MellOpens in new tab, a student publication at LSU. Pat McIntyre, the editor of Pell-Mell, was nearly expelled for the issue, so when he decided to run for student president, Stormy enthusiastically packed up her band and headed to LSU to perform for his campaign on March 4, 1948.

Life magazine, in addition to local newspapers, documented the event, reporting that the LSU students did not appreciate Stormy’s talents as much as her New Orleans patrons did. Students stormed the stage and smashed the piano while Stormy, mid-act, was carried away and thrown into a nearby pond.

A vintage photograph of Stormys Casino Royale on a street corner. The building features neon signs and a marquee advertisement for a show, Evangeline. The facade has classic architecture and decorative elements, with clear sky in the background.

The incident at LSU didn’t hurt the reputation of Stormy’s club. It became known for featuring some of the most outlandish acts on Bourbon Street, including Evangeline the Oyster Girl, whose act involved a giant shell and pearl, and Divena the Sensational Aquatease, who stripped in a massive water tank. The March 1954 issue of Holiday magazine wrote that Stormy “is one of the Quarter’s more explosive performers. . . . She makes her entrance at Casino Royale to a fanfare of thunder and lightning and the music of Stormy Weather.”

Stormy’s Casino Royale was shut down by 1957 due to a lawsuit between the club owner and his landlady, and by the 1960s it was Al Hirt’s jazz club, with no burlesque featured. Not much is known of Stormy after the closing of her eponymous club, except that she was a purchasing agent for Dixie Art Supplies at the time of her death in 1982.  

A version of this story originally appeared in Historically Speaking, a column in the New Orleans Advocate presented in partnership with HNOC.

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