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The Historic New Orleans Collection

Seeking an Open Life

A sepia-toned photograph of a rock island with sparse trees and foliage on top, surrounded by calm water. The island features a solitary, tall tree with branches extending outward. The image has a vintage, textured appearance.

Seeking an Open Life

Photographs of Lafcadio Hearn’s Japan

An exhibition of contemporary photographs by artist Everett Kennedy Brown explores the relationship between two sister cities and their adopted son.

October 10, 2019 to January 4, 2020

Williams Research Center
410 Chartres Street

Sister cities New Orleans and Matsue, Japan, both claim renowned 19th-century journalist and author Lafcadio Hearn as their own. This exhibition of contemporary photographs of Japan’s southwestern Izumo district, home to the city of Matsue, by artist Everett Kennedy Brown, explores the multifaceted relationship between these cities and their adopted son.

Lafcadio Hearn (1850–1904) was born in Greece, raised in Ireland, and educated in England. He traveled extensively throughout his adult life and is largely considered a citizen of the world. But he is most associated with two locales: New Orleans and Japan. Hearn spent nearly a decade (1877–87) in New Orleans as a journalist with the Daily City Item and the Times-Democrat, chronicling the city’s Creole culture. When he left New Orleans, he sojourned for two years in the French West Indies before settling in Japan, a country he wrote about extensively and called home until his death.

A sepia-toned photograph of a person standing in a traditional Japanese kimono and hakama, looking to the side. The floor features a patterned carpet, and the background is plain, highlighting the attire.

Everett Kennedy Brown, is an American who has lived in Japan for over three decades. Brown’s photographs of landscapes and architecture in Matsue and the surrounding region are infused with the quiet mystery that first drew Hearn to the area, one steeped in folkloric culture and mythology. The prints’ physical characteristics and connection to Hearn are enhanced by two 19th-century processes used to produce the images: wet collodion and collotype.

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