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The Historic New Orleans Collection
A serene black and white image of a riverside cemetery with large trees draped in Spanish moss. Several tombstones and graves are visible, surrounded by natural landscapes and calm water in the background.

Louisiana Lens

Photographs from The Historic New Orleans Collection

by John H. Lawrence
with a foreword by Jeff L. Rosenheim

From dagguereotype to today, the art of photography has evolved over nearly 200 years. This curated survey traces the history of the medium through HNOC’s photographic holdings.

Cover of Louisiana Lens by John H. Lawrence. Shows a photograph of an elderly man reflected in a circular mirror, propped on a windowsill next to a wooden chair. The text mentions Photographs from The Historic New Orleans Collection.

Louisiana Lens: Photographs from the Historic New Orleans Collection

HNOC 2023  
hardcover • 9" × 11.5" • 288 pp.
44 color images; 131 b&w 
ISBN 978-0-917860-91-1

$49.95

Louisiana Lens: Photographs from The Historic New Orleans Collection celebrates the achievement of one of America’s leading photography curators. In 175 striking images, ranging from formal 19th-century daguerreotypes to born-digital photographs documenting everything from Hurricane Katrina's aftermath to the joy of a New Orleans second-line parade, author John H. Lawrence charts the history of photography itself while tracing nearly two centuries of growth and change in New Orleans and Louisiana.

Lawrence provides an illuminating narrative for each image, whether offering insight into early photographic processes or sharing his firsthand knowledge of the photographers themselves. In surveying compelling photographs by greats such as Walker Evans, Doris Ulmann, Lewis Hine, Frances Benjamin Johnston, and George Dureau and spotlighting dozens of rare works by unsung or anonymous artists, Lawrence touches on themes of architecture, music, commerce, race, arts and culture, and the changing landscapes and geographies of the US South.

La Lens Shakespeare 1965 90 268 3
La Lens Bartels Pet Shop 2003 0167 2
La Lens Horn Island Bradburn 2015 0035 1 2 1
La Lens Bourbon Street Thomas 1998 107 20
La Lens Little Theodore Collins 2001 79 5
La Lens Duke And Edwards Costanza 2015 0437 4 1
La Lens Trappers Cabin Delcroix 1984 189 1569
La Lens Red River Raft Talfour 2018 0141 7
La Lens Flambeaux And Police Strembicki 2004 0049
La Lens Steamboat Edwards 1982 32 1
La Lens Flooded Street Mutchler 1985 147 2
La Lens Dag Portrait Woman Lion 2021 0080 007
La Lens Grain Elevator Franck 1979 89 7579 14
La Lens Piron Bedou2 2009 0228
La Lens Zulu Ball2 Osborne 2007 0001 308

ABOUT THE AUTHOR

A New Orleans native, John H. Lawrence worked at the Historic New Orleans Collection for 46 years before retiring as director of museum programs at the end of 2020. As the HNOC’s head of curatorial collections, Lawrence had oversight of holdings numbering in excess of 500,000 items. He has written and lectured widely about aspects of contemporary and historic photography, and the administration and preservation of pictorial collections. He has also served as principal or guest curator for dozens of exhibitions on a variety of photographic, artistic, and general historical topics. Lawrence holds degrees in literature and art history from Vassar College and a certificate in museum management from the Getty Leadership Institute, formerly the Museum Management Institute.

A person wearing glasses and a red tie is smiling while seated in front of a bookcase filled with books. The background features a cozy armchair.

“Leave it to Lawrence to construct a publication as dynamic and eccentric as the city itself.”

Why Is This Picture in a History Museum’s Collection?

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Allison “Tootie” Montana, big chief of the Yellow Pocahontas wearing an elaborate pink and orange feathered costume with detailed beadwork and intricate patterns stands confidently. The outfit includes a large headdress and symbolic designs across the chest and arms.

Michael P. Smith Collection

Smith documented the music, parading, and Black folk traditions of New Orleans for decades.

A nun stands outside a building with three large arched windows. She is facing the windows, holding a book. The building is white with some visible plants and a tree on the right. The scene has a quiet, contemplative atmosphere.

Mother St. Croix Photographs of Ursuline Convent

The ebullient nun documented her cloisters, sisters, and pupils with care and skill. In doing so she became the earliest known woman to photographically record daily life in New Orleans

A cropped view of a photo montage of the Braughn family in New Orleans. Individual photos of family posed in various positions are arranged in a way that makes it appear they're in the same photograph.

Braughn Family Photomontage 

A dramatic composite photograph depicts a prominent New Orleans family in high style.

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