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The Historic New Orleans Collection

Dancing in the Streets

A group of men dressed in sharp black and white suits with red, white, and blue accents energetically dance in the street as confetti rains down. An older man in the center, wearing a white hat and two-tone shoes, leads the procession with graceful footwork. A crowd watches from the sidelines and a balcony, while a man in white jumps with excitement near an open doorway.

Dancing in the Streets

Social Aid and Pleasure Clubs of New Orleans

The history, artistry, and power of the Black parading tradition

February 25 to June 13, 2021

520 Royal Street

Tricentennial Wing

3rd Floor

For nearly a year, the streets of New Orleans have been empty. Second lines—social aid and pleasure club parades—have been put on hold by the pandemic, marking the longest continuous interruption in a tradition stretching back generations. With origins in Black mutual aid societies founded to support African Americans and Afro-Creoles at a time when they were denied many social services, the clubs and their parades have become one of the city’s defining cultural practices. Full of color and artistry, music and footwork, and friends and neighbors, the parades provide a weekly physical and symbolic gathering place for Black history and expression.

Dancing in the Streets brings together historical photographs and archival footage by Jules Cahn and Michael P. Smith from the Historic New Orleans Collection with contemporary objects collected by the late Sylvester Francis of the Backstreet Cultural Museum and by the late Ronald W. Lewis of the House of Dance and Feathers, as well as from individual club members. Parade regalia—from full suits to elaborate baskets and fans—gives viewers an up-close look at the unique artistry of second line parades.

This artistry is vividly on display in the work of 12 contemporary photographers included in the exhibition: Judy Cooper, Brad Edelman, L. J. Goldstein, Ryan Hodgson-Rigsbee, Pableaux Johnson, Charles Muir Lovell, MJ Mastrogiovanni, Leslie Parr, Akasha Rabut, Vincent Simmons, J. R. Thomason, and Eric Waters. A companion audio guide, created in collaboration with the Neighborhood Story Project, features interviews with club members discussing the objects on display.

Gallery Views

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Dedication

In 2020 New Orleans lost two of its most devoted culture bearers: Sylvester Francis of the Backstreet Cultural Museum and Ronald W. Lewis of the House of Dance and Feathers. Both men created and curated museums devoted to the history of social aid and pleasure clubs and African American masking traditions in New Orleans. Dancing in the Streets is dedicated to their memory. Their legacy goes far beyond the parading community, informing both the creation of Dancing in the Streets and the Collection’s approach to community partnerships going forward.

An older man wearing a white cap leans against a vibrant, beaded costume adorned with blue, purple, and green patterns. A bright yellow and detailed outfit is in the background. He appears thoughtful and relaxed.

Sylvester Francis

Backstreet Cultural Museum
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A man dressed in vibrant blue attire and adorned with feathers smiles broadly. He wears a matching blue hat and carries a decorated blue sign. The background shows a blur of people and structures, suggesting a festive atmosphere.

Ronald W. Lewis

The House of Dance and Feathers
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Two men pose for a photo. One wears skeleton face paint, a red bandana, and a headscarf with ZULU on it. The other wears a black flat cap, a leather jacket, and a purple shirt. They stand outside near some houses and a car.

Francis, Lewis, and the Making of Dancing in the Streets

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“Dancing in the Streets” Club Narratives

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Dancing in the Streets: Social Aid and Pleasure Clubs of New Orleans

February 25 to June 13, 2021

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