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The Historic New Orleans Collection
An older man wearing glasses and a checkered shirt is sitting and smoking a cigar. He looks thoughtful as smoke swirls around him in the black and white image.
19th annual Bill Russell Lecture

The Life and Music of New Orleans Legend George Lewis

April 11, 2018, 6–7:30 p.m.

Williams Research Center
410 Chartres Street

Dr. Michael White, the Keller Endowed Chair in the Humanities at Xavier University and a noted clarinetist, composer, and professor, will discuss the life, music, and importance of George Lewis.

Clarinetist George Lewis (1900–1968) remains among the most influential and widely imitated of all traditional jazz musicians. Lewis’s musical career began in the early 1920s, playing with Buddy Petit, Henry “Red” Allen, the Eureka Brass Band, the Olympia Orchestra, and his own ensemble. In 1942, he made a series of recordings with trumpeter Bunk Johnson that helped launch a revival of interest in traditional New Orleans jazz and garnered Lewis worldwide recognition. Numerous international tours and recordings followed, and Lewis quickly became a central figure of the traditional-jazz revival, playing with the Preservation Hall Jazz Band from 1961 until his death. Lewis’s style was marked by rhythmic arpeggios, scale fragments, and inventive melodic phrases—all driven by his rich “singing” tone and genuine deep expression.

Dr. Michael White will discuss Lewis’s life, music, and legacy, accompanied by performances from White’s Original Liberty Jazz Band. The musical selections will be drawn from the various marches, blues, hymns, and popular songs that Lewis played throughout his career, such as “Bugle Boy March,” “What A Friend We Have in Jesus,” “Over The Waves,” and Lewis’s own compositions “Burgundy Street Blues” and “St. Philip Street Breakdown.”

A jazz band performs on stage. Five musicians are playing instruments, including a clarinet and a trombone. They are dressed in suits, and an audience watches attentively. Portraits hang on the green walls behind them.
A jazz band performs on stage with musicians playing the piano, double bass, saxophone, trumpet, and trombone. They are in a dimly lit room with framed artwork on the walls and a small seated audience.
A jazz band performs in a gallery, featuring musicians on banjo, double bass, drums, trumpets, and clarinet. They are seated in front of a painting, with an audience watching. The room has soft lighting and elegant decor.

This event is sponsored by the Derbes Family Foundation.

Reservations will be held until five minutes prior to the start of the program. Any reserved seats unclaimed at that time will be released to the public.

Past Lectures

Wednesday
6–7:30 p.m.
27th Annual Bill Russell Lecture
Hear the shared musical legacy of Cuba and New Orleans in this lecture and concert featuring author and historian Ned Sublette, joined by legendary percussionist Bill Summers and his supergroup, CUBANEXION.
Signature Program, Lecture, Live Music
Tuesday
6–8:30 p.m.
26th Annual Bill Russell Lecture
The 26th annual Bill Russell Lecture returns with an exploration of women’s musicianship and history at Preservation Hall.
Signature Program, Lecture, Live Music
Wednesday
6–7 p.m.
25th Annual Bill Russell Lecture
An exploration of musical mentorships featuring the New Orleans–based music and arts collective Alluvium Ensemble, with remarks by composer Roger Dickerson.
Signature Program, Lecture, Live Music
Wednesday
6–7 p.m.
24th Annual Bill Russell Lecture
A conversation about the history of the banjo, an instrument that embodies the centuries-old cultural exchange between New Orleans and the Caribbean.
Signature Program, Lecture, Live Music
Wednesday
6–7 p.m.
23rd Annual Bill Russell Lecture
With a career spanning 40 years, Mahalia Jackson is widely considered one of the most influential vocalists of the 20th century.
Signature Program, Lecture, Live Music
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